My 60-second film Trifle will screen at the Västerås Filmfestival in Sweden this week. The screenings will be on October 9 at 2:30 p.m. at Ozone, and on October 12 at 4:30 p.m. at Culturen Box 2.
A trifle is a matter of trivial importance, or a small quantity of anything. The film is a 60-second documentary about adjusting to tiny cultural
differences.
From popular trends to the weird and
conceptual. From culturally significant to “just for the hell of it” –
this lively group of international short films featuring craft from
around the world will not only educate as to the how and why these
artists create, but also inspire us to look abroad to discover the
limitlessness of the human imagination.
The screening will be held at: Emily Carr University of Art & Design – Reliance Theatre 520 East 1st Avenue, Vancouver, BC, Canada.
My 60-second film Trifle will screen at the Papaya Rocks Film Festival in London on Thursday, the 28th of February, 2019 at the independent, family-owned Genesis Cinema in Whitechapel. This will be the film's world premiere.
A trifle is a matter of trivial importance, or a small quantity of
anything. The film is a 60-second documentary about adjusting to tiny cultural
differences.
It's about editing techniques for "cueing" POV shots, and our experience of identification with a character if these cues work. The paper starts with the famous chase scene in The French Connection, looks a little into the convoluted theory behind "identification," and then considers how the use of stabilized cameras and "documentary-style" camera work changed the use of cued POV shots.
My one-minute documentary Paprikash is screening at The 60 Second Film Festival today, in Bangkok, Thailand. The film is "A very short documentary about recreating a family meal."
My short documentary Paprikash will screen at the Miniature Film Festival in Vancouver on Thursday, November 8, 2018. The festival features one-minute micro short films. This year's theme is "Love."
Paprikash is "a very short documentary about recreating a family meal."
"The Wanderers" is a short film collaboration between poet Aoife Lyall and filmmaker Ted Fisher. Centered on an emotional and heartfelt reading of Lyall's poem, we consider past, present, memory and hope as we see the poet explore paths near the River Ness and on the shore of Loch Ness.
Robin Crawford: Glass Artist, our short documentary profile of Edinburgh-based glass artist Robin Crawford, will screen at the 100-Second Film Festival on Saturday, October 27, at 7 p.m. The festival is held in Easton, Massachusetts.
Our short film poem The Wanderers will screen at the Loch Ness Film Festival on Saturday, July 28th, at 7 p.m. The screening is in the Craigmonie Theatre in Drumnadrochit.You can find out more about the festival here: Loch Ness Film Festival.
It’s April, I’m in Fredericksburg, Texas, and it’s hot and windy.
In another part of the state, 300 miles northeast, tornado conditions
are building. It’s fine here, however, if you’re used to Texas weather.
It’s high noon, and I’m standing just outside the Fritztown Cinema. I’m
nervous and windblown and the sun is at that Texas temperature where
you’ll be okay if you walk slowly, but don’t push your luck.
Our screening is tomorrow. Our short documentary The Texas Sun
has now appeared at two film festivals. It will go on, after this one,
to five more Texas fests. From its premiere (Thin Line Film Festival, in
Denton) to its finale (Deep in the Heart Film Festival, in Waco) it
will be on a circuit of small Texas film festivals for exactly one year.
My short filmpoem "The Wanderers" is screening today at the Festival of Creative Learning & Magma Film Poetry Preview Screening, from 15:00 to 17:00 at Adam House Theatre, 3 Chambers Street in Edinburgh.
Here's what is showing ...
The Festival of Creative Learning has partnered with Magma Poetry on a collaborative project in which 4 students from the prestigious Edinburgh College of Art Film Directing MFA/MA and students from the Edinburgh Movie Production Society (EMPS) have teamed up with poets who were specially selected by Magma editors. The filmmakers chose poems from a shortlist and have been using them to create original film poems.
ECA students and one winner from EMPS will also travel to London for the launch of Magma ‘The Film Issue’ and a screening of the final versions of these films on 13 July 2018.
Please join us for a glimpse into a world of creativity and collaboration as these films are viewed for the first time, and meet the filmmakers, poets, the Festival of Creative Learning team and Magma editors Stav Poleg, Helen Nicholson and Rob A. Mackenzie.
Filmmakers
ECA: Maggie Clark, Theodore Fisher, Marios Lizides, Simon Ray
Edinburgh Media Production Society: Miriam Khenissi, Laura Pennycook, Jeremy Pestle, Louis Caro, Nancy Nighting, Sarema Shorr
Poets: Aoife Lyall, Kristi Carter, Ginny Saunders, Laura Seymour, Carrie Etter
A Texas daredevil faces danger to become a wingwalker and stunt pilot,
risking everything to expand his fame and build a Hollywood movie
career. The true story of Ormer Locklear, the greatest pilot you've
never heard of.
On Thursday night I showed my virtual reality film "Three Dioramas" as an installation at Talbot Rice Gallery. The piece was part of "Terror and Beauty: Artistic Responses to John Akomfrah’s Vertigo Sea," curated by The Tides Group. The show featured works by Zoe Guthrie, Doug Mackie, Stephanie Wilson, and my VR film.
Above: "Three Dioramas" virtual reality installation in "Terror and Beauty," Talbot Rice Gallery, Edinburgh, Scotland, UK. Jan 11, 2018.
This test was aimed at developing some ideas for using Ambisonics along with 360 video. That is,if you were really standing beneath Edinburgh Castle, you would hear sound based on the direction you were looking.
So, try this:
1. Put headphones on.
2. Watch the video, orienting yourself to look toward the castle.
3. The first bus that passes should sound as if it moves from your right to your left.
4. Now, replay the video facing AWAY from the castle.
5. This time, the passing bus should sound as if it is behind you.
6. This means you will hear it first in your left ear, moving to your right ear.
7. So, instead of stereo, this is decoding the sound based on where you are looking -- in theory, that's more immersive and similar to our real-world experience.