By Elliott Erwitt there's: Beauty Knows No Pain
And by William Klein: The Delirious Fictions of William Klein
Or for those of you able to view PAL disks: Qui ĂȘtes-vous, Polly Maggoo?
'For most of his "professional" still photography -- the pictures he makes for money -- Erwitt has reduced his equipment arsenal to the contents of one case weighing approximately 32 pounds.'Inside the case: two Canon F1s, a complete set of prime lenses (17mm, 24mm, 28mm, 35mm, 35mm tilt/shift, 50mm, 100mm, 135mm, 200mm and 300mm), a cable release, a Minolta light meter and an Eastman Kodak "Pocket Guide to Photography."
"...300 works by American photographer Elliott Erwitt disappeared from a basement storage unit at the offices of Photo Estate GmbH, a subsidiary of Berlin gallery Camera Work AG, police said."Here's the article.
James Danziger: Do you see the camera as being generous or cruel?
Elliott Erwitt: Depends on what you do with it.
James Danziger: I mean innately.
Elliott Erwitt: Innately it's nothing. The camera doesn't do it. It's the person behind it. You make certain decisions. I was never very fond of Mr. Nixon and I once went to the wedding of one of his daughters with the specific intention of taking unpleasant pictures of certain people I didn't like. The event was so spectacular, so well done, so beautiful, that I totally failed in my mission.
James Danziger: Do you believe in the power of photography to effect social change?
Elliott Erwitt: Yes. Absolutely.
James Danziger: Does that affect a lot of your work?
Elliott Erwitt: Not all. I'm sorry. I just don't. I don't like to get into this heavy attitude towards everything. I really don't have that.