Friday At The Met: The Americans

I've taken many of my photo classes through Robert Frank's The Americans over the years, page by page. We look at it for sequencing concepts, for ideas on a documentary approach, and just because it's a good book.

So, nothing shocking to me in the Met's installation. But it's great nonetheless.

The highlight: one of the contact sheets reveals Frank shot four times when he saw a combination of the American flag, the front of a building, and women in the windows. He then shot a few attempts at something else, and came back for one last shot: and that final shot is the iconic image that's first in the book.

Robert Frank and Helen Levitt at Film Forum

I hope to be able to go and see An American Journey: In Robert Frank's Footsteps when it shows at Film Forum at the end of the month. Included in the program is a short film by Helen Levitt.

Robert Frank in the NYT

The Sunday New York Times has a piece on Robert Frank.

I always use Frank's The Americans when I teach photography classes. Sometimes students look at it blankly at first, sometimes they get a few ideas about working at the portfolio level (as opposed to the single-image level) and sometimes it sneaks up on them -- where they find they think about it later, while doing their own work.

Snapshots From the American Road

He didn’t seem interested in reflecting on why the book continues to have such an afterlife or why it has become a cultural touchstone, but chose instead to explain why it is still meaningful to him. “I’m very proud of this book because I followed my intuition,” he said, speaking with the clipped inflections of his native Swiss accent. He added that the idea of making a photographic chronicle of America wasn’t simply to take one picture at a time; it was a larger endeavor, “a matter of putting a book together the way I saw it.”