In general, the run-and-gun look says, I’m realer than what you normally see. In the DVD supplement to Supremacy, “Keeping It Real,” the producers claimed that they hired Greengrass because they wanted a “documentary feel” for Bourne’s second outing. Greengrass in turn affirms that he wanted to shoot it “like a live event.” And he justifies it, as directors have been justifying camera flourishes and fast cutting for fifty years, as yielding “energy. When you get it, you get magic.”
Monday, September 03, 2007
Running and Gunning
I've been discussing and thinking about the theory behind editing run-and-gun footage lately, so I really enjoyed David Bordwell's post on the use of that style in The Bourne Ultimatum and the other Bourne films.